Beginning with another Paul Johnson cover, the third issue of Dark Horse International’s first (and ultimately flagship) comic really settles into its format this month with a whopping four strips and well written features across its 52 pages. Aliens is a meaty read and even for the time it was great value for £1.50. I’ve so many issues remaining but already I’m really glad I chose to cover this in real time on the blog.
So, inside the first strip is part two of Newt’s Tale, Mike Richardson’s retelling of the film from the young girl’s perspective. Over its 13 pages there are some genuinely shocking moments that, with hindsight, really seem to add to the character so brilliantly portrayed by Carrie Henn (amazingly, her first acting role) and the haunted child that first appeared to Ripley and the marines.
In a secured bunker the colonists shelter in hiding from the creatures that have appeared out of nowhere, seemingly not piecing together they’ve come from the thing that had attached itself to Newt’s dad’s face. Of course, the reader knows that alien was the queen Ripley would ultimately face. We see Newt’s mum and brother Timmy here also, her mum Annie convincing someone to give her a gun and she stays awake all night as the kids rest.
Banging noises from outside suddenly occur and arguments begin. We know what’s out there but the colonists have lost contact with their men sent to the nest to exterminate the creatures, thinking they’d easily outnumber them and just set it alight, not knowing what the aliens are actually capable of. In a moment deliberately intended to frustrate the reader we see two sides argue over opening the door. It’s frustrating because we know which side will win, that their self-imposed macho superiority will lead to disaster for everyone, including all of the children.
But there’s no reasoning with them and as soon as we turn the page they’re overrun in seconds. This page (pencils by Jim Somerville, inks by Brian Garvey, colours by Gregory Wright, letters by Pat Brosseau) is so much better than the overly cartoonish chest burster scene last time, but it’s only the beginning of the horrors over the next few pages. Such as Annie telling her children she’s sorry before aiming her gun at Timmy!
Clearly she sees what’s happening around her and, as heartbreaking and terrifying as the moment is for her, at least it would be instant and they wouldn’t suffer at the hands of the aliens. It’s only a few panels but it hits hard. Newt begs her not to and instead they make a run for the ventilation shafts where we’ve previously seen the kids playing. They know where they lead; they can escape.
To see it played out, even if it is in comic form rather than celluloid brings the cold, harsh reality of it to bear
Timmy and Newt are bundled inside just before Annie is grabbed from behind and a curtain of blood pours down in front of the shaft entrance a few feet from the kids. The most shocking moment of all sees Timmy jump out and pick up Annie’s gun, shouting that he’ll save his mummy. He shoots the alien, its acid blood squirting over his face and blinding him. But as if that wasn’t enough for the small child, he’s killed right in front of Newt, and this is where the chapter ends.
Of course we already knew Newt would end up being the only survivor, we knew all of the mums and dads and their children died, but it all happened off screen. To see it played out, even if it is in comic form rather than celluloid brings the cold, harsh reality of it to bear. After this part of the story it’s gone from being an interesting curiosity to the best strip of the comic.
The middle pages might initially feel like a strange place to have a back up strip, but that’s where Mark Verheiden’s Predator: Cold War tale is, sandwiched between the two Aliens stories and, while I don’t really understand a lot of what’s going on in its 12 pages, I’m still enjoying it and am eager to learn more about these particular extra-terrestrials. As Lt. Ligachev makes her way back to Siberia the aliens are preparing for another hunt at the oil pumping station.
As you can see there are pages set on board their spacecraft somewhere in the frozen wastes (pencils by Ron Randall, inks by Steve Mitchell, colours by Chris Chalenor and Rachelle Menashe, letters by Clem Robins) and while Ligachev’s internal narration of what she’s about to face again is well written, I’m pretty lost when it comes to the images. What is that disc-shaped object it’s taken from the walls and why is it discarded like that? This would probably makes sense if I’d seen the film of course.
As I’ve said before I’ll be doing so this Hallowe’en so I’ll assume (hopefully correctly) that this is all self-explanatory to Predator fans. I look forward to finding out for myself though, and the air of mystery around these creatures while I read only acts to heighten my interest. So please, as much as you might think explaining it would help, let me discover it for myself (the spooky season isn’t far off anyway).
The attack has begun and the first victim is a dog, which lures in one of the men, who then sees the aliens and makes a desperate run back to his colleagues, giving away the location of everyone else. The way they move through the complex and dispose of anyone in their path is chilling, even with the still images of a comic it’s clear to me they’re doing it for sport, for recreation, and there are some brutal moments.
Instead of running for safety, some of the men grab shotguns in an attempt to slow down the attackers. They know they’re no match for them, they know they’re alien and can’t be stopped, but they also know Ligachev is on her way and their last desperate gambit is to hold them off until their reinforcements arrive. But the first thing they come across is a load of their men strung up by their feet, blood pouring out from the gaping holes where their heads used to be.
Upon seeing it, one of them comments, “What kind of hell is this?” After a few more pages of gruesome killings, one man at a time, we arrive at the final moments of the strip and one of the Predators repeats back the very same line as the man’s torso slides down its spear. All dead, the Predators lie in wait for Ligachev and her military might. It’s atmospheric, I’ll give it that, and as an introduction to these creatures it works. I’m just impatient to see more of the interesting lead character, so I’m looking forward to the next issue.
The other main Aliens strip is the third chapter of Jerry Prosser’s Hive, originally the main story in the first issue. Mayakovsky and Lish send Norbert (the alien synthetic) and their poor dog, Max down to the surface of the planet where they find the aliens around the hive are sleeping! Max soon finds another lander ship with humans and it’s surrounded by more sleeping aliens who appear to have nodded off mid-attack.
Is it wrong of me to kind of love Norbert? I mean, he’s still programmed to act like a proper alien as you’ll soon see, but to see this frightening beast looking after Max and reporting back is genuinely funny without ever breaking the illusion of the universe created by the films. However, over the next two pages that affection soon disappears as his programming takes over with some horrific results, as drawn by Kelly Jones with Les Dorscheid’s colours and Clem’s letters.
It appears these humans (hinted at last time) have used something called “infrasonic suppression” to put the xenomorphs into a deep state of hibernation while they collected the slime our lead characters have also come for. Mayakovsky is rather jealous of their idea; it could’ve saved him a lot of time and money in developing XL1 (Norbert). But as Norbert tracks down and kills all of the crew one-by-one, part of the ship’s computer systems becomes damaged, and you just know what that part controlled, don’t you?
Yep, the aliens are now awake and have surrounded the ship. Will they realise Norbert is a synth? After all, in the films it’s established they won’t attack a synthetic human unless they’re attacked first, that they know the difference. Surely they’ll see through this? Anyway, the chapter ends with a worrying development for Max. Given Norbert’s goodbye, I don’t know if I want to see what happens next!
At the very back of the issue is the next instalment of the strange little Alien Vs Predator strip I mentioned in #1 of Alien³ (actually, it’s called Alien Vs Predator II, so I must’ve missed the original in the first volume of the comic). The strip was written in two-page chunks for Dark Horse Insider magazine in the US and ran for 14 issues. It’s written by Dark Horse co-founder Randy Stradley (Marvel Star Wars, Crimson Empire, Jedi Council) and illustrated by Chris Warner (Terminator, Alien Legion, co-creator ofBarb Wire).
As you can see there’s not a lot of story to tell in two pages but by the end it’ll have lasted for 28 pages in total so we’ll see if it develops beyond a long battle between the two alien species. As I said in the review for #1 of Alien³ these two franchises hadn’t met yet on film, so this could’ve been exciting for fans of both in 1992. This will take until next summer to complete so I’m hoping there’s scope over that time for more depth.
There are the usual plethora of features in this issue including news and the Technical Readout section, the latter also containing this spread about synthetic humans, a key part of the Alien universe. There was an interview with Lance Henrikson in that one issue I bought as a teenager and I remember being disappointed that he didn’t mention the Super Mario Bros movie he was in for all of five seconds. As if he would! (No pictures of Ash from the first film though, which is a shame.)
The beginning of the Alien³ video had an exciting trailer for Alien War, a place in London where fans could experience the terror of the second film by being led through an area by Colonial Marines while being stalked by a giant xenomorph. It actually began life in Glasgow and it’s this original setting that gets its own feature in this issue. I always thought the trailer looked fantastic and would’ve given anything to have gone with my like-minded friends but alas these things just never came to Northern Ireland at the time.
At the back of the comic underneath the letters page is the latest comics checklist and the first non-Aliens title from DHI was about to launch at the end of September. Featuring an Indiana Jones back up strip (because of George Lucas’ connection), Star Wars #1 surely couldn’t miss, right? Thing is, it’s not mentioned in any of the checklists or adverts in Jurassic Park which launched the following year, so it mustn’t have lasted long, which is surprising.
Upon checking I can confirm it only lasted ten months and was abruptly cancelled even though it advertised the next issue and #11 appeared in the checklists. It’s another franchise (alongside Predator) that I haven’t really seen (I know – unforgivable!) so until I do I doubt I’ll collect this particular DHI comic, but it’s good to see them expanding already by this point in this read through, and I can’t wait to see what else they released that I might bring to the blog.
(Actually, I already have a completed set of one of their other comics! That’ll start in January 2025 and I’ll leave its name a mystery for just a bit longer.)
Three issues down and plenty to go. This comic is already pretty incredible, it’s going to be a great read through if it keeps on improving as it has already from one month to the next. Aside from the crossover strip I’m eager for the next chapter of all the stories, there’s not one of the three main stories that I’d say is a weak link. A great selection of extras too this month. Aliens #4 will be reviewed on Tuesday 24th September 2024, but before then is both #2 (Monday 26th August) and #3 (Monday 16th September) of Alien³! A busy month ahead. Bring it.
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